Abstract Impressionism
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My non-representative landscape art involves investigating the interplay between active and passive spaces through repetitive form, color, and texture to strike a balance of calmness and dynamism somewhere between non-objective abstract impressionism and pixel art.
While painting landscapes, I take inspiration from memories and experiences of places and events in my life and communicate them abstractly to facilitate the intimate, personal, emotional connections between the artist and viewer, translating the joy and beauty of nature without worry of objective form.
In crafting my compositions, I focus on strong impasto textures created with a palette knife and other tools, with a heavy attention to texture and detail, so that each piece becomes a continuous act of discovery, where the nature of the paintings change, depending on lighting, distance, and even touch.
My non-representative landscape art involves investigating the interplay between active and passive spaces through repetitive form, color, and texture to strike a balance of calmness and dynamism somewhere between non-objective abstract impressionism and pixel art.
While painting landscapes, I take inspiration from memories and experiences of places and events in my life and communicate them abstractly to facilitate the intimate, personal, emotional connections between the artist and viewer, translating the joy and beauty of nature without worry of objective form.
In crafting my compositions, I focus on strong impasto textures created with a palette knife and other tools, with a heavy attention to texture and detail, so that each piece becomes a continuous act of discovery, where the nature of the paintings change, depending on lighting, distance, and even touch.